The Rocky Mountains have a way of showing many faces at once. In Facets, late light spills across broken stone and autumn timber, turning the cliffside into a mosaic of color and texture. Purples and grays in the rock play against the gold of aspen, with a single red tree flaring up like a spark in the forest.
This painting leans into the geometry of the land—the fractured planes of granite, the vertical pull of pines, the scatter of leaves in shifting light. It’s both rugged and delicate, a reminder that the mountains are built from contrasts that somehow hold together in balance.
